The second artist I worked with was from Japan named Madori Curtis. Her work involved, etching, collagraph, chine colle, and another techniques that I have never seen and I believe she made up. She would ink up pieces of plastic and put them directly on the print only after the second time through to create depth with another element of color. Her work was about music and each print contained calligraphy from and ancient Japanese book.
These past two weeks have been great I have leaned a lot about the possibilities of printmaking and the different ways you can addition a print. I am leaning about artists proofs, original prints and additions of that print as well as an archiving system.